Check out some of PRP’s favorite new releases!
From djemz, host of The Warehouse Continuum.
Ar Ais Arís Volume 1, Ar Ais Arís
It’s a competitive world for mainstage techno bangers, so when one arrives that would sound just as good in an underground club DJs and listeners rejoice. Big names like Caribou (Honey) and Joy Orbison (Flight FM) have dropped bass-forward, garage-adjacent bangers this year but one of the best comes from a relative unknown on the west coast of Ireland. Bonk by Plus One hits like its own name, lulling you into a false sense of funk before walloping you with a drop so unexpected and yet so hard that your dancing shoes might just catch flame, perfect for bringing you warmth on a cold sea-blown night in Galway.
In Full Effect, Tim Reaper, Kloke
Revivals are a funny thing. A genre is rarely reformed ex nihilo, but sometimes they pick up steam with such force that those who carried the torch for so many years are knocked aside and their claims of “we never left!” are drowned out by the pounding of new feet on the dancefloor. Tim Reaper and DJ Flight however are staking their claim in the rapidly heating up world of jungle. Reaper’s new album with Kloke, In Full Effect, has yet to drop, but lead single Alienation is a masterclass in pushing a sound forward. Too much of the “jungle revival” hews closely to the path laid out by Metalheadz and Good Looking Records back in the 1990s, steadfastly refusing to innovate, but Alienation feels fully modern in both composition and sonics. DJ Flight meanwhile has revived her play:muzik label and served us up a delightful EP from Nectax that reminds us that the boundaries of jungle are not solid, dabbling in broken beat and techno while maintaining a strong sonic cohesion. More eyes are turning to jungle and drum’n’bass, and the genres’ best producers are taking full advantage.
From Veronica Bisesti, Host of Subculture.
Don’t Forget Me, Maggie Rogers
“A 36-minute story, Don’t Forget Me is Rogers’ shortest project thus far. It is also her most sonically and lyrically cohesive, featuring some of her most captivating, folkloric songcraft yet. Allowing the listeners to create a world around her words and sounds, Rogers is at her best when she keeps it simple and sweet.”
– Paste
Name Your Sorrow, Pillow Queens
“Everything here sounds massive: from the rising grandeur of opener ‘February 8th’ to the rallying ‘Heavy Pour’ and the powerful closing track ‘Notes On Worth’. The sheer number of curtain-drop moments is remarkable, somehow never overused or superfluous. There’s a mastery in the songwriting, too: simultaneously gut-wrenching and incredibly cathartic, continuing a thread that has underpinned the band’s material this far. It’s with this beautifully complex blend of emotion that Pillow Queens soar, with ‘Name Your Sorrow’ once again proving the four-piece as some of the best songwriters going.” -DIY Magazine
The Future Is Our Way Out, Brigitte Calls Me Baby
“There’s an awful lot going on in ‘The Future Is Our Way Out’, but there’s a defiant abandon in the band’s delivery that makes it work as a whole. In having so much fun with their legendary touchstones, Brigitte Calls Me Baby have carved out a triumph of their own.” – NME
From Cynthia Orlando, PRP Writer
All I Ever Want Is Everything, Blu DeTiger
II, Bad Image
This is an awesome new EP from Seattle’s Bad Image! Incendiary hardcore punk across five tracks, I cannot wait to hear what they put out next!
All My Friend In Heaven, Tears of Joy
Another great band out of Seattle deliver a powerful, heavy full length album. Across seven songs the hardcore outfit delivers blistering songs with unflinching lyrics and strong instrumentation.
romance, Fontaines D.C.
It’s been an amazing time for pop music, and Sabrina Carpenter’s latest album was everything I wanted it to be! I’m always drawn to her songwriting and production.
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