All-in-all it was a provocative year for music.
At PRP we had delicious new genre-twisting music from twenty one pilots…impressive pop splendor from Shawn Mendes, plus boldly beautiful alt-rock from England’s The 1975. Ray Lamontagne gifted fans with exceptional folk-rock tapestries aplenty, and Imagine Dragons served up fun, valiant soaring anthems – still their forte’.
With all that and more, which albums rose to the top via musical substance, artistic creativity and staying power?
Here’s my take.
Courtney Barnett – “Tell Me How You Really Feel”
Australia’s favorite rock n’ roller and Grammy nominee Courtney Barnett won us over with her irresistibly engaging “Tell Me How You Really Feel” release. Barnett is well-loved for her guitar prowess, dry sense of humor and recent musical collaborations with former War on Drugs member Kurt Vile. Don’t miss popular tracks “Crippling Self Doubt and a General Lack of Self Confidence,” “Walkin’ on Eggshells” and its great electric guitar-fest, and cocky, amusing “Help Yourself.”
Alternatively playful and introspective, exhilarating and humorous, “Tell Me How You Really Feel” confirmed her standing as a gifted contemporary singer-songwriter.
Death Cab for Cutie – “Thank You for Today”
Alt-Indie rockers Death Cab for Cutie gave us “Thank You for Today,” a winning mix of lead singer Ben Gibbard’s vocals and lush, tastefully layered guitars. Their ninth studio album reinforced their standing as consistently strong indie pop-rock performers.
High spots included hit single “Gold Rush,” a rocking lament about development and the loss of special places in one’s hometown, and sparkling, exuberant “Autumn Love.” Another triumph was touching and nostalgic “I Dreamt We Spoke Again.”
Arc Iris – “Icon of Ego”
It’s impossible to say enough good things about “Icon of Ego,” this year’s release from alt-pop-prog dynamos Arc Iris.
On their newest album, the talented, sometimes theatrical band move effortlessly from pop to alt-rock to jazz, often within the same track. It all happens so smoothly, you wonder why no one else thought of it.
At the helm is Jocie Adams on guitar and keyboards and supplying flawless lead vocals. A graduate of Brown University where she studied composition, she recently told PRP “Icon of Ego” was inspired by the 2016 presidential campaign. A fascinating revelation, indeed. “Icon” is a musically creative, beautiful and powerful work that merits a much larger audience.
Mutual Benefit – “Thunder Follows the Light”
Mutual Benefit released their stunning “Thunder Follows the Light” this year. Like a concept album, tracks flow smoothly one-into-the-next. Watch for somber, folksy “Storm Cellar Heart” and the shimmering “Written in Lightning.”
In addition to Lee’s phenomenal musical instincts, “Thunder” underscored the talents of Lee’s accompanying musicians on violin, guitar, saxophone, percussion, vocals and drums. Perfect for the world-weary, these impressionistic folk-rock dreamscapes are balm for the soul.
Erika Wennerstrom – “Sweet Unknown”
Singer-songwriter / guitarist Erika Wennerstrom’s “Sweet Unknown” was the freshest new take on rock n’ roll this year. Formerly lead singer for The Heartless Bastards, her original best-new-artist sound is an uplifting blend of Americana and psychedelia.
From the opening reverb-heavy “Twisted Highway” to the rambling, contemplative “Time” and intricate guitar passes found on “Be Good to Yourself,” the entire album delivered feel-good vibes in abundance.
In an NPR write-up early this year, Wennerstrom was quoted as saying “each song is a mantra about being kinder to yourself.” The nearly ten-minute “Good to Be Alone” is an artful treasure perfect for wintertime introspection. An artist to watch in 2019.
Paul McCartney – “Egypt Station”
The year’s award for Best Music Comeback goes to Paul McCartney and his retro-yet-fresh 16-track “Egypt Station.” From anthemic songs with time-honored messages to rambunctious pop tracks and reflective ballads, the album delighted both fans and music critics. Clocking in at almost a full hour of music, the album gleaned an extra edge from producer Greg Kurstin (Beck, Adele).
It’s quintessential McCartney…solid, classic arrangements with loads of heart.
Wye Oak – “The Louder I Call, the Faster it Runs”
Fresh, creative Indie alt-rock found its zenith with Wye Oak’s exceptional “The Louder I Call, The Faster it Runs.” Jenn Wasner and Andy Stack have been making music for ten years, but the new album garnered the heretofore Baltimore-based Indie rockers exceptional praise.
“The Louder I Call” triumphs via Stack’s intriguing keyboards and electronics and Wasner’s alluring, smokey-smooth vocals. Don’t miss melancholic “Lifer” or the stellar “It Was Not Natural.”
First Aid Kit – “Ruins”
Gifted folk-pop duo First Aid Kit triumphed with their fourth studio release “Ruins.” It’s a solid “must have” collection of fresh, honest tracks sure to entice enthusiasts of the country-folk music genre. The band – from Sweden – chose Tucker Martine (Decemberists, My Morning Jacket) to produce the album in Portland; it features REM’s Peter Buck on guitar. Songs range from love ballads (“Fireworks”) to soft-rock soulfulness (“It’s a Shame”) and simple acoustic reflection (“To Live A Life.)”
Don’t miss plaintive “Rebel Heart,” for which the band named this year’s tour. Written on a stormy night in Joshua Tree, California, it’s a compelling track with a stunning arrangement.
Curse of Lono – “As I Fell”
London’s Curse of Lono followed up their 2017 critically acclaimed “Severed” with this year’s “As I Fell,” and it did not disappoint. Here, the 5-member band showcased their big, moody Americana folk-rock sound with a bounty of charismatic style.
Their music – often described as “cinematic” – makes great company on road trips both real or imagined. Felix Bechtolsheimer provides the earthy vocals that bring British singer-songwriter Mark Knopfler to mind. Songs like subtly optimistic “And it Shows” and the cogent, Americana “Way to Mars” will endure.
Amos Lee – “My New Moon”
For lovers of folk / rock – and especially soul – none could surpass singer-songwriter Amos Lee’s latest “My New Moon.” A troubadour for our times, Lee has a way of consistently weaving music genres together in a way that delights, comforts and inspires.
In preparation for “My New Moon,” Lee worked with non-profit organizations Musicians on Call and Melodic Caring Project to play music bedside to hospital patients battling serious illnesses. On the new album he wrote catchy, sunshiny “Little Light” for Maya, a 9 year-old cancer patient.
“No More Darkness, No More Light” imparts an uplifting Paul Simon vibe. And on festive “Louisville,” a full-band sound is enhanced by Lee’s stellar vocals, first-rate drumming and a rousing singalong chorus fans will love.
That’s a wrap
That’s a wrap on this year’s music!
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We at PRP wish you the happiest of holidays, and hope your stocking and gift lists include new music!